The conduit in it all is Egypt’s own self-styled Indiana Jones, Dr Zahi Hawass, the former minister of state for antiquities under the Hosni Mubarak autocracy. Guests look at a coffin in the Australian Museum in Sydney. “We’re the producer, we are the designers … we’re also the operators, so we’re responsible for moving, installing it, maintaining it and protecting the objects at all time.” “It takes a great deal of money, as you can imagine, to mount an exhibition like this,” Collins said. He was polite but tight-lipped about the budget for a blockbuster of such magnitude but, when nudged, put the ongoing costs of developing, marketing, maintaining and travelling Ramses in the realm of hundreds of thousands of US dollars on top of the eye-watering insurance bill. Troy Collins, the executive vice-president of NEON’s subsidiary World Heritage Exhibitions, was on hand at the Australian Museum’s media launch on Thursday. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning The jewel in the diadem is the 1.85 metre high 19th-dynasty royal coffin of Ramses the Great, uncovered in Luxor’s Valley of the Kings in 1881 and never displayed publicly outside Egypt until this year.Īlthough the collected objects are priceless and, needless to say, irreplaceable, the exhibition comes with a $2.4bn insurance policy, financed by the global immersive technology company NEON. A guest looks at a colossus statue depicting Ramses II at Ramses & the Gold of the Pharaohs.
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